Jean-Paul Sartre and Mary Shelley’s Frankenstein
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In my previous post , I discussed the correlations between Sartre’s Atheistic Existentialism and Shakespeare’s Macbeth . In this post, I would like to explore some Sartrean conceits in Mary Shelley’s Gothic novel, Frankenstein: or the Modern Prometheus . Mary Wollstonecraft Shelley The novel consists of a frame narrative, whereby one story enfolds another, which enfolds yet another story. The first narrator is Robert Walton who is sailing towards the “northern pole” (Shelley 20). On his way, he encounters Victor Frankenstein whose sledge is carried to Walton’s ship via an ice fragment. Frankenstein is carried onto the ship, and after becoming acquainted with the captain of the ship, he begins telling his story in hopes of deterring Walton from his ambitious pursuit of “knowledge” and “dominion,” which he desires to bestow upon humanity (Shelley 24). Frankenstein comes from a well-to-do family in Geneva. His goal in life is to gain “glory...